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One day, an all-seeing, all-knowing voice starts talking to her through her TV, cell phone and rice maker. You’ll feel as if you’ve seen the entire city-and parts of Newcastle and Whidbey Island-by the time this thing is done.) Henry plays her best friend, Dennis, a high-tech guru who exists primarily so she has someone to talk to on the phone.
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(Falcone loves his filler aerial shots of Seattle. Carol was a high-tech big wig who chucked it all to live a more altruistic existence, volunteering at Seattle pet adoptions and such. There is a plot to work through, though, and it is oddly convoluted. It feels like they’re standing around waiting for the movie to end, just like us. Falcone also manages to take a supremely overqualified supporting cast in Bobby Cannavale, Brian Tyree Henry, and Jean Smart and strand them with nothing to do. may not have the best intentions for mankind. Falcone is McCarthy’s husband and the director of some of her flattest comedies: “ Tammy,” “ The Boss” and “ Life of the Party.” His characters have zero chemistry with each other, there’s little forward momentum and it never achieves a smidgen of tension when it becomes clear that this A.I. It would be a near-impossible task for anyone to make magic out of this material, but placing it in director Ben Falcone’s hands dooms it to being lifeless and laugh-free from the start. But there’s such a desperate straining at work here to make us like her, and him, and this story that it’s beyond sad. It’s fitting that she would choose the most non-offensive performer imaginable, because everything about “Superintelligence” seems aimed at being as insipid and forgettable as possible.
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who follows her wherever she goes and talks to her through appliances.
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Besides centering on a milquetoast, middle-aged white woman, it features James Corden-Carol’s favorite celebrity-as the voice of the A.I. But wouldn’t watching someone more, I don’t know, interesting provide a better sample for the A.I.-or at least a better movie for us?Īlas, everything is wrong with “Superintelligence,” beginning with the misbegotten premise of Steve Mallory’s script. Her particular brand of blandness is the arbitrary reason an artificial intelligence wants to study her in hopes of achieving a greater understanding of humanity. There is nothing to her character, Carol Peters, aside from the fact that she’s single and her driving inspiration is the trite desire to make the world a better place. Big smiles all around.And so casting her in “Superintelligence” as “the most average person on Earth,” according to the film’s description, is the worst possible use of her talents. McCarthy breaks into a spot-on impression of the singer doing Believe. And the real kicker comes when Allison Janney slips up and says Cher instead of Sharon. She can't remember Gallagher and keeps wanting to call the guy Gargamel instead. McCarthy keeps calling Rose Byrne's character Rose instead of Rayna. In an impassioned speech about how she managed to uncover their deadly plot, McCarthy tries to spit out the words "Russian military." It comes out instead as "Russian millinery." When she realizes her mistake, McCarthy riffs, "Nothing's more dangerous than hatmakers! Don't even get me started on the loomers!" On the next take, the phrase becomes "Russian Melissas." Say what? Try as they might, her co-stars can't help but laugh along with her.Īnother ongoing blooper is that the actresses in Spy can't ever seem to get the character names right. And that's, of course, when the outtakes are best. It's so much fun to watch McCarthy's character gain confidence over the course of the movie, and nothing's more satisfying than the scene when she finally gets the bad guys right where she wants them.